One
of the key elements apparent in every comic is the use of perspective or in
other terms, how the artist utilizes the point of view on his scenes. Perspectives
aren’t just there for visual aesthetics. They are there to help the artist to
convey and emphasize the words associated with the scene. I chose page 51 of Maus I to explain the importance of
perspective.
On
the second panel, it zooms up on the officer’s face. We can clearly see his
discontent of the Jews on his face and his hands are up in a threatening
manner. From this angle, or camera shot, this expression and gesture amplifies
the officer’s speech. If it was an angle where we couldn’t see his face, the
readers couldn’t experience the pure malice in his words.
On the third panel,
the perceptive shown here carries out the words. The picture lets the reader connect
“put down all your valuables!” with the action. If the perspective was still on
the officer, we wouldn’t have seen the mice rummage through their clothing
pulling out valuables and the command “put down all your valuables!” (Maus I)
would just fly over our heads.
Finally, the sixth panel shows a close-up of two
hands, or rather one grabbing the other. This close-up emphasizes the situation
at hand. If the camera shot wasn’t zoomed in on Vladek’s hand, the readers
would have little understanding when the cat said “you never worked a day in
your life!” (Maus I).
This
use of perspective relates to the types of techniques presented in “Show and
Tell”. The point of view develops word-picture combinations even further,
creating a synergistic relationship that immerses the reader into the story
line.
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